In this essay, I will be discussing the characteristics and historical context of the movement known as Art Nouveau, which flourished between 1890 until 1914. This movement can be defined as a philosophy that was in favor of applied aesthetics to everyday objects that everbody used. The line between art and function is blurred.
Art Nouveau welcomes into its folds the infinite variety of interpretations as well as a new language of graphic design, distancing itself as far as possible from classical paradigms. How Art Nouveau came to be is still shrouded in mystery. Nevertheless, most art historians assume that it hailed from the British Arts and Crafts Movement, led by William Morris. The art movement finds its roots in Japonism, Synthetism (Gaugain) and Cloisonnism (Bernard, Anquetin).
Popular motifs
associated with Art Nouveau are the floral designs and curvaceous forms of
female silhouettes. Form, texture, space and colour are all overwhelmed by the
decorative effect of line. Geometric forms are suddenly consumed by organic
lines, creating a fusion between structure and ornament. Art Nouveau employed
flat decorative patterns, typically leaf, tendril motifs and intertwined
organic forms which could be used in all art forms. Zoomorphs like insects and
birds, as well as hair were typically depicted by Art Nouveau. However, right
angled shapes still predominated the Scottish and Austrian variations.
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Sheer designs inspired by insect physiology. |
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Casa batlo, designed by Antonni Gaudi |
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A few examples of female figures drawn by art nouveau artists. |
Romanticism, the Pre-Raphaelites, the Symbolists and the Arts and Craft movement all inspired Art Nouveau in different ways. Taking Arts and Craft movement as an example, Art Nouveau artists willingly made use of the new industrialized machines and materials. Although Art Nouveau designs were common in glassware, jewellery and ceramics but it also flourished in silver, furniture posters and textiles. It also found its way in theatrical set design. The best examples of such designs are the ones created by Leon Bakst (1866-1924) and Alexander Benois (1870-1960) for Diaghilev and the Ballets Russes. Having a strong impact on architecture and interior design, it exemplified a humanistic approach to the urban environment. Hyperbolas and parabolas suddenly became more frequent in architecture. Designers switched from the abstract Rococo flames and shells to the stylized organic forms, thus expanding the motifs of nature, while still making use of naked iron and irregularly shaped glass.
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A Poster from the 1880's, which still makes use of straight lines and right angles. |
References
Encyclopedia Britannica. (2016). Art Nouveau |
artistic style. [online] Available at:
https://www.britannica.com/art/Art-Nouveau [Accessed 8 Dec. 2016].
Micheline's Blog. (2016). Mary Cassatt: an Intimate
Japonisme. [online] Available at:
https://michelinewalker.com/2013/07/16/mary-cassat-an-intimate-japonisme/
[Accessed 27 Dec. 2016].
Nga.gov. (2016). Art Nouveau, 1890-1914. [online]
Available at: http://www.nga.gov/content/ngaweb/exhibitions/2000/nouveau.html
[Accessed 13 Dec. 2016].
The Art Story. (2016). Art Nouveau Movement, Artists
and Major Works. [online] Available at:
http://www.theartstory.org/movement-art-nouveau.htm [Accessed 8 Dec. 2016].
Visual-arts-cork.com. (2016). Art Nouveau Design:
Characteristics, History, Artists. [online] Available at:
http://www.visual-arts-cork.com/history-of-art/art-nouveau.htm [Accessed 8 Dec.
2016].
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